I am a writer, visual artist, and experimental filmmaker based in London. Originally from Buenos Aires, I hold a Diploma in Literature from the Universidad de Buenos Aires. As part of my studies, I participated in a student exchange programme at Paris VII, Université Paris Diderot, taking courses in the MA Lettres, Arts et Cinéma (LAC).
In London, I completed an MA in Fine Art at the University of East London, studying under sculptor Grenville Davey, filmmaker John Smith, and painter Alexis Harding.
Before relocating to London, I spent three years in Los Angeles, where I worked on independent films and small theatre productions. During that time, I was selected for an artist residency at LA AIR: Echo Park Film Center, supported by the Andy Warhol Foundation for the Visual Arts. I also volunteered at LA Filmforum, where I discovered a vibrant community dedicated to experimental cinema.
As a writer, I published a poetry collection, Posesiones (Spain, 2009), which won the XXX Félix Francisco Casanova First Poetry Prize. More recently, my novel Plan de parto was published by Mardulce Editora in Buenos Aires in 2023. I also contributed to the anthology Partirse en dos published by Lecturas de Arraigo in Madrid in 2025.
My films and video works have been shown at galleries and festivals including Sheffield Fringe Festival, Festival Transterritorial de Cine Underground (Buenos Aires), MARFICI (Mar del Plata), Cairo Video Festival, Bideodromo (Bilbao), L’Alternativa Barcelona, and the Echo Park Film Center (Los Angeles), among others.
My primary area of interest is in analogue and digital filmmaking, but I'm also exploring other media such as painting, sculpture and performance. My works explore alternative narrative devices and further focus on issues related to language. My practice, in whichever form it takes, usually revolves around writing and tends to enquire into how this process creates, multiplies and loses meanings along the way. The works often surround intimate experiences and desires by exploring the ordinariness of daily life.
I like to think about my approach to work like Felisberto Hernández describes his writing process: At a given moment I think a plant is about to be born in some corner of me. Aware of something strange going on, I begin to watch for it, sensing that it may have artistic promise. I would be happy if the idea weren't a complete loss. But I can only watch and wait, indefinitely: I don't know how to nurture the plant or make it bloom. All I have is the feeling or hope that it will grow leaves of poetry or of something that could become poetry when seen by certain eyes.
Perhaps as such I believe my works consist of passive forms of search that sometimes take me into very long journeys of discovery and wonder. If I am lucky, this approach will allow me to find something small but very personal that I will use to work with.
By using texts in different forms, I aim to interrogate the relationship between materials and images (phantoms). The meaning always escapes but the illusion of having reached it is a common occurrence. However, "there is nothing but postcards, anonymous morsels without fixed domiciles, without legitime addressee, letters open, but like crypts". (Jacques Derrida)
EL BALCÓN | Buenos Aires, 2012 | 13’ 55” | Short film | HD
Screenings:
VIII Festival Internacional de Cine de Pasto, Colombia, 2012.LA MÚSICA | Buenos Aires, 2013 | 12’ 27” | Short film | HD
Screenings:
Echo Park Film Center, Los Angeles, CA, USA, 2014.
THE AQUARIUM | Los Angeles, 2014 | Short film | 16 mm
Made with the support of the Andy Warhol Foundation for the Visual Arts as an artist in residence in LA AIR: ECHO PARK FILM CENTER
Screenings:
Echo Park Film Center, Los Angeles, CA, USA, 2014.THE CHAMBERS OF THE SEA | Los Angeles, 2014 | 13′ 55” | Super 8 mm & HD | Hand processed
Screenings:
Echo Park Film Center, Los Angeles, CA, USA, 2014.DETOUR | Los Angeles 2012-2015 | 70’ 03” | Feature film | HD
Screenings:
Echo Park Film Center, Los Angeles, CA, USA, 2015, as a part of AMERICA LATINA SHOWCASE.LOS PEQUEÑOS FORMATOS | Paris, 2011-2015 | 9’ 34” | Short film | Compact camera | A project by Andrea Marquez & Irene Rodriguez
AVA Gallery, London, UK, 2015. UEL MA Fine Art Show.STORIES FROM LOS ANGELES | London, 2015 | Three-channel video installation + Stills
The rehearsal, Landscapes for my friends from California & Many posters from an unfinished but still Hollywood movie.CUMULUS & NIMBUS. A video about clouds | London 2015 | 7’ 09” | Short Film | HD | Experiments on green screen
SPACE Gallery, BYOB London, 2015. Organised by SPACE & LUX Moving Image.IN BETWEEN | London, 2016 | Handmade emails, a performance in translation, a mysterious object & a cat simultaneously alive and dead in a box
PROJECT SPACE Gallery, Trinity Buoy Wharf, London 2016.BUILDING WORK: Plaster, hooks and other abject materials that I found in the woods | London, 2022 | Video projections onto plaster, fiberglass and wall.
AVA Gallery, London, UK, 2022. UEL MA Fine Art Interim Show..PLAN DE PARTO | Buenos Aires, 2023 | Novel published by Mardulce Editora.
POSSIBLE OBJECTS | London, 2023 | 70’ 01” | Feature film | HD
Screenings:
Heavy Manners Library, Los Angeles, CA, USA, 2024, as a part of Working Together Film Series.VELA Y VIGILAME | London, 2024 | 10’ 01” | Short film | HD
Tower Gallery, London, 2024, as part of Staring up, collective exhibition.YO SOY UN DICTADO, PRONUNCIA LA POESIA. APRENDEME PAR COEUR [de memoria], VUELVE A COPIAR, VELA Y VIGILAME, MIRAME, DICTADO, ANTE LOS OJOS: BANDA DE SONIDO, WAKE, ESTELA DE LUZ, FOTOGRAFIA DE LA FIESTA DE LUTO | London, 2024 | 15" | Performance |
Way Out East Gallery, London, 2024, as part of Battenberg II, Exhibition and Performance Festival.
UNAS BOLITAS DE MERCURIO | Los Angeles, 2025 | 08’ 03” | Short film | Super 8 mm
Made with the support of the Echo Park Film Center as an artist in residence in IL NIDO, Los Angeles, California, USA.
Screenings:
Festival Obskura 2025, Rennes, France. Pratiques contemporaines du cinéma argentique.In theory, I know exactly how to make this film.